The wild bunch, bold cinematic rebels and adventurous films
FRANCE | 85 minutes | 2019
A former screenwriter for François Ozon (Under the Sand, 8 Women), Marina de Van (In My Skin) asserts her position as the most provocative woman’s voice in French cinema today. In the age of swiping right and one-night stands, the 40-something filmmaker takes a candid look at sex, love and the naked flesh, questioning how we relate to others. Venting her spleen — not without humour — on our relationship to sexuality, she uses her own body as a stand-in for an image of womanhood all too often censored by society. The female body as a polemic in a taboo-pushing film equally teasing and disturbing.NORTH AMERICAN PREMIERE"... one of the most vital and original French filmmakers of our time does not disappoint. De Van has succeeded in telling us something fundamental that demands an urgent rethinking of what nudity on film means" AWFJ« Il y a dès les premiers instants de Ma nudité ne sert à rien un sentiment d’authenticité totale... » Le Polyester
Rotterdam Film Festival
No biography
- Dark Touch – feature (2013) – Denis-de-Rougemont, Mad Movies and Narcisse awards at Neuchâtel IFFF- Hop-o'-My-Thumb – feature (2011) - Don’t Look Back – feature (2009) – Cannes Film Festival
China, late Yuan dynasty. A battle is brewing between the army and a group of rebels. Everyone is in the dark as to who, when and how, but what is known is...
Feature film, Fiction
HONG KONG, TAIWAN | 105 minutes | 1973
Jérem, a looser rapper (the excellent William Lebghil), meets Yves, an intelligent refrigerator. Not only does the machine help him eat better, it soon...
FRANCE | 107 minutes | 2019
Indisputably a cinematic masterwork, Raining in the Mountain is a mammoth artistic œuvre that needs to be seen at least once on the big screen. When the...
TAIWAN, SOUTH KOREA | 120 minutes | 1979
Sign-up for our newsletter to get all the latest Festival news!
To learn more about our privacy policy, click here